[Publib] Modern Lit
Backwage at aol.com
Backwage at aol.com
Thu Sep 6 11:59:42 EDT 2007
Today's New York Times contains a story which reveals the existence of
Stalags, mildly pornographic pulp fiction based on POW themes which emerged in the
1960s in, of all places, Israel.
"It was one of Israel's dirty little secrets. In the early 1960s, as
Israelis were being exposed for the first time to the shocking testimonies of
Holocaust survivors at the trial of Adolf Eichmann, a series of pornographic pocket
books called Stalags, based on Nazi themes, became best sellers throughout
the land. Read under the table by a generation of pubescent Israelis, often
the children of survivors, the Stalags were named for the World War II
prisoner-of-war camps in which they were set. The books told perverse tales of
captured American or British pilots being abused by sadistic female SS officers
outfitted with whips and boots. The plot usually ended with the male
protagonists taking revenge, by raping and killing their tormentors."
See: _http://www.nytimes.com/2007/09/06/world/middleeast/06stalags.html_
(http://www.nytimes.com/2007/09/06/world/middleeast/06stalags.html)
I remember, back in the Seventies when I was stationed in Japan, finding
many pulp releases and graphic-novels devoted to rather vile, violent sex
themes, which initially shocked me, emanating as they did from the midst of that
staid, polite and outwardly puritanical Japanese society. I'd see blue-suited
businessmen riding the morning train reading pulps with themes devoted to the
"revenge rape" theme or similar pastimes. I was very young then and had a
lot to learn. And back home, people were worried that R. Crumb's comix would
pollute the minds of the young.
I don't suppose that either the "rape theme" books nor the Stalags of
Israeli origin ever found homes on public library shelves. For that matter, I
didn't see any of Crumb's stuff at my local library back then--though it's there
now, revered like Breugel or Hogarth, and for the same reason. Time has a
way of cleansing these things--that, and society moves on to newer outrages.
M. McGrorty, very fond of Little Nemo
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